Beautifully Human - Profiled!

Check out: http://www.ivymunro.com/blogs/blog-network/255-beautifully-human-rachelle-hull

Philadelphia and Blogging

So I arrived in Philadelphia, PA yesterday (early) evening and I felt all kinds of things most of all:

TIRED AND WIRED!

I had originally decided to do a blog (with photos) to document my day to day...but I'm not really a camera person. As in taking my camera out every minute to snap, snap and snap some more and also to make public my (almost) every thought and emotion - hmmm, I don't have a twitter account for a reason....still considering doing the blog though.

Anyway for anyone reading this who has (serious) connections with entertainment/lifestyle/literary magazines, agents and/or publishers (in and around Philly or NY) - CONTACT ME ASAP please: madamepretty@hotmail.com

Thanking you xx

p.s. that is NOT my photo.


***Update: To follow my experiences/adventures in Philly, please visit: http://tra-and-tri.blogspot.com/

Interview: ENOCH SHOWUNMI

Balls, Poems & Everything In between

When we think of footballers, the stereotypes come thick and fast: overpaid, flashy young men with skills. But there are always exceptions to the rule and Leeds United striker Enoch Showunmi is one of them.Finding success on the pitch (playing for Luton Town, Bristol City and Nigeria), in the books (he has a degree in Business Administration) and with words (he is a poet at heart) Enoch seemed to have it all, until recently. Diagnosed with a life-threatening condition, his once bright future now seemed uncertain.

Here he talks to Flavour about football, poetry and how he made a negative situation work for him.

How did you get involved in professional football?
You could say I was one of the lucky ones or perseverance and hard work got me into the game, but a week after I graduated in 2003 I played a trial game against Luton Town’s first team and was asked to come back for another trial. Months of playing, for expenses only, was followed by scoring a hat trick in a first team league game and my first professional contract in February 2004.

Was it a career path you had always chosen?
Yes and no. Like most young boys I’ve always had fleeting fantasies of playing professional football, but I never ever thought I was good enough to play at that level. I joined a men’s football team (Willesden Constantine) at 17 who kind of drummed it in my head that I could play at a higher level and I suppose my confidence in my ability grew from there. I actually had my first brief trial at Luton Town FC when I was 18 but I still thought they didn’t really want me and opted for university instead.

You’re quite a rarity in the industry, not only do you have a degree in Business Administration, but you are currently studying for your masters. What keeps you persevering in education?
I was brought up to respect education; it’s been engrained in me for a long time. It’s not just education though; I have always craved knowledge in every aspect of life. My motivation to pursue a masters was borne out of the fact that no matter how good you think you have it, nothing lasts forever. Although I’m not a great planner I do like to think I can adapt to any situation; that means being equipped with the tools to do so – the masters I believe provides me with those tools.

What are you studying?
A MSc in Finance.

You also write poetry, when did you first discover your passion?
My poetry comes from my love of hip hop and the fact that you can put words together that can entertain and educate at the same time. As a kid I always tried to rap not only copying artist’s who I liked but I tried to write my own lines and verses. I can look back now and laugh at how rubbish I was, but that was my starting point.

Do you perform live?
I haven’t as much as I would have liked mainly because of my football career; but I’m looking to improve that in the near future.

What is your performance name?
Showman Da Poemcee. Showman is a play on my surname and also a personal acronym, Da Poemcee, just comes from my love of emceeing and that I see myself as more of a poet than an emcee. Combining the two you get Poemcee.

What inspires your poetry?
Originally I wrote poems for myself – personal thoughts about life, spirituality, the way I saw the world and the universe. So for a long time what I wrote I never shared with anyone, in a way it was like my journal. As I continued writing I began to play with techniques like multiple syllable rhyming, metaphors, internal rhyme, the actual flow of the poem; all things you would see in good rap artists’ repertoire. While the hip hop industry was forever changing, I wanted my poetry to still retain the essence of what hip hop meant to me. I wanted my poetry to have a message so the reader learns something, or it inspires them and they go away thinking about life and the world. I’ve never agreed with the saying about sticks and stones, because it is words that have power over people; they can build you up or hurt you.

What plans do you have for your poetry?
I have a few plans that I am trying to execute even if it has been a slow process. I have enough poems to put two or three books together, so my main focus is to be published which I’m working on at the moment. I am currently playing around with the idea of putting them to music; a few to hip hop beats but the majority will be of the spoken word variety. I am looking to use all forms of media so you will get the total package and all you have to do is choose which type of media you prefer. I’ll also be performing more spoken word in the summer to continue building my reputation as a poet.

You were recently diagnosed with pulmonary embolism (otherwise known as a blood clot on the lungs), how did you feel when you were diagnosed? How has this affected your football career?
I’ve always loved playing football if I wasn’t a professional I’d still be playing; but I feel fortunate to have been given the opportunity. So to be diagnosed with a potentially fatal illness was a massive shock, especially going from being fit and healthy one day to being told that you won’t be able to play any football for the foreseeable future. The treatment for a blood clot lasts six months and while I’m on this treatment I can’t actually play football at all, so it’s been a difficult time getting my head round a lot of things that has happened in a short space of time.

What motivated you to turn a negative situation into something that worked for you?
To me it was not about motivation, it was about a necessity. There were two things I could have done in my predicament: wallowed in self-pity or get up and do something. I did both; I wallowed for a little bit then chose to do something. I‘ve always harboured thoughts of doing a masters and actually inquired about starting in September however I left it too late, but knowing I had time off I threw myself in at the deep end and applied in January and I’m thoroughly enjoying the challenge.

The blood clot actually came at a time I wasn’t enjoying football, this time off has made me appreciate my position and if I was even contemplating or unconsciously resting on my laurels then I got a massive wake up call. Though I’d give anything just to play a Sunday league game with my mates my condition has changed my perspective on life in general, not only was I thinking about my own life and death but the possibility of my life without football. It made me sit up and take notice because no matter when that time comes, whether doctors say it’s in six months or my career runs its course naturally, there will be an Enoch without football so long-term I’ve got to think what am I going to do with myself.

Do you have a strong support system?
My family mean the world to me, without them I don’t know what I’d do. Even though I live 200 miles away I feel their presence in my life everyday and I know no matter what they have my back and are always looking out for me.

What is next on the Showman agenda?
I know it’s a cliché but I am really taking every day as it comes. You never know what the future holds all you can do is try and work towards what you want to get out of life. Studying has my main focus at the moment, but that doesn’t stop me from putting things in place so I can achieve what I want from the others. I’m unable to train with the team at the moment so I’m training hard on my own and still working on perfecting my poetry and coming up with new ideas daily. I have ambitions to achieve with my football career, my poetry and my studies.

Check out his poetry here: http://rhymechiatrist.wordpress.com/

© Rachelle Hull, 2009
Published at www.flavourmag.co.uk

Interview: BRIDGETTE AMOFAH

Bridgette Amofah - Not Your Style?

Amongst the untold number of female artists strutting their stuff and garnering their successes, Bridgette Amofah is doing things her way. Having gained her initial singing experiences in a Catholic church (note, not Gospel) she has continued to defy convention. Though having studied musical theatre at the Brit School, her focus was not yet on her vocal abilities. ‘I took writing more seriously than singing. I didn’t think I was particularly good, just louder than everybody else in the class,’ she laughs. Sitting across from this confident, glam-girl-next-door, who was featured in The Times as an artist to watch and supported Candi Staton on tour, it is somewhat difficult to believe.

Upon leaving the Brit School aged eighteen, Bridgette’s poetry began to morph into songwriting. Whilst gigging, she was fortunate enough to meet Josh Breslaw, drummer of experimental folk band Oi Va Voi. Luckily for her, the band was on the lookout for a new lead vocalist. ‘I went on tour with them and I got loads of performance experience-they gave me the groundwork, then I started writing my own album.’

Around this time the music industry began to take notice and a few labels came knocking at Ms. Amofah’s door. ‘I recorded a demo and I was writing quite folky songs at the time, I think I was quite inspired by Oi Va Voi and I was listening to a lot of Feist.’ Yet, unlike Bridgette, the industry was unable to comprehend a young black female, blessed with soulful vocals and a folky style. Instead of capitalising on her uniqueness, they pushed for a tried and tired route. ‘Some of the labels wanted me to go down the r&b route but I don’t write in that way and I didn’t really like the production. I like live instruments and working with Oi Va Voi made me realise that you can do whatever you want. They’ve managed to carve a niche and I thought why can’t I do that?’


Having decided to stand her ground, fate stepped in again (just in case she was unsure). ‘Last year, I was performing at a showcase for The Prince’s Trust, and Jay-Z was there. I did some quite folky soul songs, and he came up to me, saying my songwriting was great and asked for a CD, which I didn’t have at the time. I suddenly thought if someone like Jay-Z, an urban pioneer, can see what I’m doing and say it’s cool, then I must be doing something right. I don’t have to conform, and I’ve carried that with me.’

2009 sees the British-Ghanaian chanteuse release not one, but two singles, What It Takes and Not Your Style, as a double-side. The two songs are different and represent her eclecticism, reminding us that she refuses to be put in a box. Despite moving on from the acoustic-folk-soul, Bridgette has kept the live instruments and the soulful vocals, but has gone back to her theatrical roots. Why? ‘I love Shirley Bassey; big singers and big performances. I wanted to be bigger on stage. I wanted to dance and move about and get the crowd moving. I want to perform like it’s my last performance.’ Still penning her debut album (‘I’m constantly working on the concept, but there’s lots of great stuff’) and touring Europe with Oi Va Voi, Amofah’s agenda seems busier than ever.

Though the alternative door for black female artists has recently been propped open (The Noisettes, VV Brown and Janelle Monae), the arrival of Bridgette Amofah may just be the one to kick it down for good.


© Rachelle Hull, 2009
Published at www.catchavibe.co.uk
Photo credit: Anna Burdick

REVIEW: Wuthering Heights - A Bollywood adaptation!

A scene from Wuthering Heights by Tamasha at the Lyric Theatre, Hammersmith. Photograph: Tristram Kenton

On Thursday evening I was invited along to the press night for a Bollywood adaptation of Wuthering Heights. Being familiar with the Wuthering Heights story and having seen a few Bollywood films in my time, I was intrigued.

The curtain opened on to the sandy plains of the Rajasthan desert; where hagglers entice and curse potential customers in the same breath and camels sit, basking in the hot sun. A young beggar steals an unremarkable pot from a dusty traveller; in order to get it back the traveller must tell the tale behind the pot he seems to treasure. And so it begins...

Just like the original, Krishan (Bollywood’s Heathcliff) is brought home by a kind spice merchant to be raised alongside his son Hari and daughter Shakuntala (Bollywood’s Catherine). Whilst Hari despises his foster brother, Krishan and Shakuntala become inseparable and their love for one another is obvious to everyone. Upon the death of their father, Hari’s ill treatment of Krishan worsens and against his father’s wishes Hari treats his foster brother like a servant. A few years on Shakuntala catches the eye of Vijay, a wealthy neighbour and he asks for her hand in marriage. As Shakuntala explains to her maid Ayah (the source of much humour in this adaptation) her reasons for accepting and why she cannot marry Krishan he overhears and runs away. The issue of class is neatly replaced with the issue of caste.

Three years later Krishan returns a wealthy man and discovers that Shakuntala will not leave her husband, for revenge he marries her husband’s sister. The betrayal is too much for Shakuntala and she becomes very ill; moments before she dies, Krishan and Shakuntala declare their love for one another. Instead of releasing her ashes into water (as is their custom) Krishan keeps them in the urn for the next twenty years. And thus we return to the dusty traveller and his pot: an older Krishan and the ashes of Shakuntala. On seeing Shakuntala’s ghost in the desert he releases her ashes and in death is reunited with his love.

Injected with typical Bollywood fanfare: dancing, singing and sparkly costumes, there is no room for Gothic and supernatural overtones. For those who may find the original a little too convoluted this version is the perfect alternative; replacing Goth with mysticism and romance. The use of Hindi (and English) steeps it further in Bollywood tradition, whilst catering to its bilingual audience.

The story is a powerful one and the decision to focus on the tale of love, without delving too much into the tale of revenge, provides a simpler story. With its beautiful stage designs, brilliant acting and chemistry between the protagonists, Bollywood Heights is definitely worth seeing.

Wuthering Heights
Lyric, Hammersmith - Until May 23

© Rachelle Hull

Featured on Guest Spot - including an extract of my short story 'Skin Deep'

Take A Moment:

http://www.wordsofcolour.co.uk/guest_spot_march_april09.htm

Feature Article: THE BROTHERS

Check out my COVER ARTICLE with the cast of Angie Le Mar's theatre production
'The Brothers'
at www.flavourmag.co.uk
(**from pg 20)

www.flavourmag.co.uk